Posts Tagged Music

New Review

My dream job is listening to and writing about music.  Occasionally, I get to do this dream job volunteering over at WYCE on the CD Review Crew.  In order to get some momentum back for writing season, I thought I post my latest review here.  If you’re quick and run over to the WYCE Music Journal, this review is the featured jazz review.  ‘Featured’ simply because it is most recent.

 

 

Here’s the review:

I’ll learn to work the saxophone / I’ll play just what I feel.” Reunion brings together two great players after 40 years apart. At once like zen warriors stalking each other, and like old friends talking over martinis, Caliman and Christlieb mine their rich personal histories, mutual and otherwise, to forge an album of West Coast Cool.

 

On the Steely Dan track “Deacon Blues,” as Donald Fagen sings about working the saxophone – a track loaded with superstar sax players [Tom Scott, Wayne Shorter, Jim Horn, Bill Perkins, Plas Johnson, and Jackie Kelso], it is Pete Christlieb ripping the tenor solo throughout the song. Hadley Caliman was the older, wiser saxman who took Pete “under his wing” when Christlieb was only 20 years old and subbing in an LA jazz band.

 

Hadley Caliman and Pete Christlieb go way back – back to the heyday of the Central Avenue Scene in 1950′s and 60′s Los Angeles. Caliman made an early name practically imitating Dexter Gordon; earning the nickname “Little Dex.” He was an L.A. session stalwart, got into drugs, into prison, and into Santana’s band. He eventually cleaned up and settled in the Pacific Northwest, teaching for twenty years at the Cornish College of Arts. Caliman is a radiant West Coast Player with a bit of East Coast edge. Christlieb was a “string bean” kid subbing in Bobby Bryant’s band. The kid had chops, but got his history and bandstand etiquette playing next to Caliman. Christlieb went on to play with Woody Herman among others, and spent 20 years with Doc Severinson’s Tonight Show Band.

 

Pianist Bill Anschell brings several original tunes including “Little Dex,” a tip of the hat to Caliman’s early days. Each of our hosts brings a couple tunes. “Comencio” was written by Caliman in prison. He also brought the exotic, haunting “Gala.” The soulful “Dream On” and the burner “Nasty Green” both came from Christlieb. Beyond their pianist’s other songs, they pick great covers in Cole Porters’ “Love For Sale,” Freddie Hubbard’s joyful “Up Jumped Spring,” and Johnny Mercer’s “I Thought About You.” You’ll be glad these two kindred spirits, long separated, have found each other again. Bookend “Wide Stance,” “Dream On,”or “Little Dex” with “Deacon Blues for a sweet time machine treat. “Love For Sale” is the Mother of all Sax Battles. Reviewed by Todd Townsend.

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Niles Bluegrass

I surprised some friends and showed up at the Niles Bluegrass Festival. Chuck and Deb, Mike and Sally, were camping along the river. Tom and Sharon came by later; as did Lynn. I was going to come Friday but had driven the big truck since midnight and some weather blew through. I wimped out and ended up missing Jason and Hope and family. The Niles Fest is a great festival. And it is FREE!

Niles’ downtown is downhill toward the river. At the bottom, on the north of the main drag is a nice park. The park has a large pavilion with the perfect grassy hill for an audience. Downriver from the Pavilion is a playground under some trees and then a large open field. Under the trees next to the playground, the Festival puts up a second stage. The open field is available for camping with the local Boy Scouts keeping it cleaned up. Between the main stage on the pavilion and the second stage was a parking lot where food vendors, trinkets and other stuff was available. There were also some tents for workshops. You could learn some bits about Guitar, Fiddle, Singing Harmony, Banjo etc.

The Niles Fest is Thursday, Friday, Saturday and Sunday. It is really done very well. Check out their site. Also, on the same site is a summer schedule. Niles has free music on Wednesdays, Thursdays and Sundays all summer. If you can make it, don’t miss Cornmeal on June 15!

On Saturday, I got up on stage with the Open Mic. It was really an Open Jam. I wasn’t expecting to be on stage with a band. Usually, an open mic is everyone getting a turn on the mic. As I walked across the grass toward the guy running the PA, the band waved me up on stage. There was another guitar, two harmonicas, a fiddle and a standup bass. They were all very good. After they got done with the song they played as I got there, they looked me and said “What’s your name and you’re up, what are we playing next?” Wow! I don’t know many bluegrass standards, but I like to play “Roll in My Sweet Baby’s Arms.” They all jumped in behind me, I sang, the others soloed and then we wrapped it up. It was great fun! Then we stumbled through a version of Freightliner Blues, one of favorites. The band did well hanging on behind a song they didn’t really know. Our audience was 20 or so people on lawn chairs and the Boy Scouts back in there camp. The pictures look way better than the performance was, but I had so much fun. I haven’t played in front of people I don’t know in 20 years; especially in front of people I was reasonably sure were sober! :o )

Here are some pictures Chuck took for me.

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